Indian Cinema Starts Talking

Indian Cinema Starts Talking

In the early thirties, the silent Indian cinema began to talk, sing and dance. Alam Ara produced by Ardeshir Irani (Imperial Film Company), released on March 14, 1931 was the first Indian cinema with a sound track.

Mumbai became the hub of the Indian film industry having a number of self-contained production units. The thirties saw hits like Madhuri (1932), Indira,M A (1934), Anarkali (1935), Miss Frontier Mail (1936), and Punjab Mail (1939).


V Shantaram

Among the leading filmmakers of Mumbai during the forties, V Shantaram was arguably the most innovative and ambitious. From his first talkie Ayodhya ka Raja (1932) to Admi (1939), it was clear that he was a filmmaker with a distinct style and social concern whose films generated wide discussion and debate. He dealt with issues like cast system, religious bigotry and women’s rights. Even when Shantaram took up stories from the past, he used these as parables to highlight contemporary situations. While Amirt Manthan (1934) opposed the senseless violence of Hindu rituals, Dharmatama (1935) dealt with Brahmanical orthodoxy and cast system. Originally titled Mahatma, the film was entirely banned by the colonial censor on the ground that it treated a sacred subject irreverently and dealt with controversial politics. Amarjyoti (1936) was an allegory on the oppression of women in which the protagonist seeks revenge. It could perhaps be called the first women’s lib film in India.

Duniya Na Mane (1937) was about a young woman’s courageous resistance to a much older husband whom she had been tricked into marrying. Admi (1939) was one of Shantaram’s major works.


Calcutta film Industry

Madan Theatres of Calcutta produced Shirin Farhad and Laila Majnu (1931) well composed and recorded musicals. Both films replete with songs had a tremendous impact on the audience and can be said to have established the unshakeable hold of songs on our films. Chandidas (1932, Bengali), the story of a Vaishnavite poet-priest who falls in love with a low caste washerwoman and defies convention, was a super-hit. P C Barua produced Devdas (1935) based on Saratchandra Chatterjee’s famous story about frustrated love, influenced a generation of viewers and filmmakers.


The South Indian Cinema

Tamil cinema emerged as a veritable entertainment industry in 1929 with the creation of General Picture Corporation in Madras (Chennai). Most of the Tamil films produced were multilingual productions, with versions in Telugu, Malayalam and Kannada until film production units were established in Hyderabad, Trivandrum and Bangalore. The first talkie of South India, Srinivas Kalyanam was made by A Narayanan in 1934.


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